SLAVE POSITIONS

[adreannaTal{fb}]

SLAVE POSITIONS

DISPLAY

The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited.

Explorers of Gor pg 36



~~she stands with her , feet a little more than shoulders width apart,her freckled shoulders rolled back, tiny fingers laced behind her neck,anjelic face turned to the left, her iced hazel eyes lowered she awaits his inspection of her in silence


TOWER

The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding...The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower Slave. The hands of a Pleasure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placement of the knees. In all these kneeling positions, incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high. She tends to be vital and beautiful to look upon .

Priest Kings of Gor..Page 46-47



~~sitting her firm ass upon her heels her thighs kissing as lost lovers...and curving her back slightly, her full breasts pressed against her wool kirtle, nipples clearly visible through the white material, a girl proudly displays the collar that she wears around her small neck, showing that she is property of RannHolt Hold. her blonde hair cascading down her back , her crystal blue eyes shining in the fire light of the HOLD, with her head held high and lowered lashes showing her respect to All present a girl places her small upturned hands against her bare thighs showing her desire to serve



NADU

"Nadu!" he snapped. She swiftly turned, facing him, and dropped to her knees. She knelt back on her heels, her back straight, her hands on her thighs, her head up, her knees wide. It was the position of the pleasure slave.

Explorers of Gor..Page 77


~~she kneels before Him, spreading her thighs sinfully wide, her back straight, lifting her head high in pride of the steel collar that surrounds the flesh of her throat that bares the HOLDS name, arching her shoulders back, her breasts rise naturally, softly she thrusts them forward, feeling her long locks of gold spill over her shoulders, flowing down her spine like a slient river in the night, she takes slender finger tips gliding them down her full frame, letting the back of her hands rest against her inner thighs, as her palms face upwards in offering, casting eyes down to His boots, awaits His command


SULA

Sula, Kajira!' said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open .

Explorers of Gor..Page 77
~~she lays flat on her back, oceans of firey locks spill outwards across his furs, she spreads her legs painfully wide, slipping her arms straight out down against her curvy sides, softly but with quickness she turns her palms upwards to Him, feeling the plushness of his furs at the back of her hands, as she lays there awaiting His inspection of her.


HEEL

"The Forkbeard turned about and, one arm about Pudding, the other about Gunnhild, started from the dock. Hilda followed him, to his left. 'She heels nicely,' said Ottar. The men and bond-maids laughed. The Forkbeard stopped. Hilda's face burned red with fury, but she kept her head high. Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was familiar with this sort of thing, of course; in the south it was quite common for slave girls; in various fashions in various cities, to heel their masters. Hilda, of course, was a free woman. For her to heel was an incredible humiliation. The Forkbeard started off again, and then again stopped. Again, Hilda followed him as before. 'She is heeling!' laughed Ottar."

Marauders of Gor pg 123

~~as she seen him stand to leave after saying his fare wells she .leaps to her feet, falling into step behind him to his left 1/12paces follows behind him.almost mocking his stride


COLLAR

Assume the posture of female submission," I told her. She did so, kneeling back on her heels, her arms extended, wrists crossed, her head between them, down. She was weeping.
Tribesmen of Gor pg 359

"She is yours," he said. He took his strap off her throat, and unbound her hands. "Submit," I told her. She knelt before me, back on her heels, arms extended, head down, between her arms, wrists crossed, as though for binding.
Explorers of Gor pg. 74

~~striding over to the Jarl, her mind focused only on Him, her heart racing in her chest, she closes her eyes and whispers a quick prayer to Odin before she falls gracefully to her knees before Him, she tucks her long legs beneath her and rests her firm ass on her crossed heels, she spreads her thighs painfully wide, her slave heat glimmering , exposing to Him her treasures, she arches her back slightly and pushes her chest up and out, her plump breasts pushing firmly against her restraining silks, her body trembles slightly as she raises her arms high above her head, her long golden tresses tumble down her back as her arms are lifted, she closes her eyes and takes in a deep breath as she crosses her wrists, her right one over the left, she lowers her head between her outstretched arms in supplication, she waits silently for the Jarl, her chest rising and falling with her deep breaths as her body trembles



HAIR

held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me, and, crouching, put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position.

Beasts of Gor, pg 409

~~she moves before her Jarl, her small feet flat against the cold stones, bending at her waist gracefully, her long locks cascades over her face, the ends of her hair grazing over the stone's below her, casting her eyes downwards, as she stands motionless, waiting for her Jarl's command.

SULA-KI

Then she lay on her back, her knees drawn up, before me. She arched her back. Her breasts were lifted beautifully. I observed their lovely rise and fall, correlated with the respiratory cycle of her small lungs. Then she lay back, her shoulders in the dirt, and pressing against the earth with her small feet, piteously lifted before me, for my examination, and seizure, if I pleased, the deep belly of her, the sweet cradle of her slave's heat.

Explorers of Gor...pg. 329

~~she lowers her body down to the stone floor, her back touching the cool tiles, chills spread out across her flesh, feeling the coldness of the stones, placing her long slender arms down at her sides, letting her palms face upwards to Him, as she spreads her legs as wide as she can, feeling an aching pain at her thighs as she spreads them wider, feeling His eyes on her, wanting Him near her she lifts her hips up off the floor trying to beckon Him with her body ,wanting to encourage her sexual want for Him , wanting Him to take her in a sexual manner.


SHE-SLEEN

He knelt me there. "Put your head down, to the floor," he said. "Clasp your hands, firmly, behind the back of your neck". "Yes, Master," I moaned. He was then behind me. He put his hands, under my arms, on my breasts, sweetly and firmly. Then he moved his bands back, caressing my flanks. My head was down. My fingers were together, behind the back of my neck. I was in his collar. It was steel, I could not remove it. I belonged to him. My body hurt, from his whip, that of my master. My head hurt, from my hair, where I had been conducted, unceremoniously, to this location. "Please, Master," I sobbed. "Not like this! Not you, please!" "The slave is pretty," he remarked. "Oh!" I cried. "Oh!" "You have a lovely ass," he said. "Ohhh!" I said. "You may thank me," he said.

Kajira of Gor..Page 434

In this form of slavery, which is commonly used for disciplinary purpose, or for the amusement of the Master, the woman is not permitted to rise from all fours; similarly she is not permitted human speach, though she may signify needs and desires by such means as cringing, and moaning and whimpering. Not permitted the use of her hands, save as a means of locomotion, she must also eat and drink from pans set on the floor, or, sometimes to satisfy her thisrt, she must lap the water permitted to her from puddles or lick spillages from the tiles; too, it is not uncommon to chain her near her mater's feet, while he dines, that he may, if he wishes, throw her scraps of food. She will also be taught tricks, through which paces she may be put for entertainment of her master's quests, such things as begging, lying down, rolling over, and fetching his sandals in her teeth. And, needless to say, when her master wishes to use her sexually, it will be a position common to the she-quadruped.

Guardsman of Gor

#1
~~gracefully, the girl falls to the floor, resting her palms against the cool stone and letting the pale skin of her knees rest on the solid ground. pressing her forehead against the stone, she lifts her ass high into the air, her silks gather at her waist, allowing a full view of the brand on her smooth high right thigh and her honeyed slave heat for Him, she stays like this, painfully still, wanting badly to please Him.

He tells her to go about her chores for the day, serving in this position. she whispers "yes, Jarl". she knows she moves to the garden outside of the door. lifting the heavy watering can with her mouth, it grinds against her teeth as she tilts it to water the plants, once finished she lets the can drop from her mouth to the ground where it came from. she reenters the HOLD and waits until she is called upon to do more. she never lifts her knees or her hands from the floor

#2
~~she leans to his furs on her hands and knees....resting her left cheek to them thighs spread deliciously wide as her sassy ass is held high her hands laying side of her head...her slave heat displayed and ready for his sexual useage....


WHIPPING

I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip .

Captive of Gor..Page 200


~~she kneels before Him, spreads her thighs painfully wide, her back is perfectly arched, she pushes her shoulders back, as she thurts her breasts forward , her breast rise naturally, lifting her head high, tilting her head to the left, the flames of the torches dance across her steel collar which bares the HOLDS, she then bends at her waist, lifting a small delicate hand to sweeping the silken locks forward over her shoulders, her forehead kissing the cold stones below her, spreads her arms out inf ront of her crossing her wrists, her back utterly exposed for the whip to kiss her flesh.

BARA

I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip .

Captive of Gor..Page 200

~~her knees slide down moving her body to the cold stones below her, her body melting to the wood floor, as she lays flat on her tummy, her nipples respond from the coldness of the floor, turning her head to the left, sending long dark locks of midnight black to cast over her silky smooth flesh, a couple locks draping down into her face, as her eyes peak out through long locks, as she cross her wrist behind her back, slowly lifting her leg to cross her ankles, as if she was to be binded, she awaits His command.

BELLY

"Stop," he said. "To your belly." Then I was on my belly, on the tiles, my hands at the sides of my head, prone, before his curule chair.

Kajira of Gor. P427


~~she lowers herself to the floor, turning her face to the left, feeling the coldness of the stone's kiss her cheek, wrapping her arms around her waist, crossing her wrist at the small of her back, spreads her thighs gracefully wide, lifting her knees from the ground, she begins to crawl over on her belly towards him




OBSIDENCE

"There are many ways to perform obeisance," I said. "I am a free woman," she said. "I know none of them.". "I shall instruct you briefly in three," I said. "First, kneel before me, back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission.". "Now that," I said, "may not be exactly a performance of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission.". "Now", I said, "and this is clearly a form of obeisance, bend forward and put your head to the mat, the palms of your hands on the mat. Good. Now lift your head a little and come forward, substantially keeping the position. Forward a little more." "Yes," I said. "Good. Now put your head down and lick and kiss my feet."

Mercenaries of Gor..Page 409-410


~~she moves inf ront of him, she slowly lowers her body, pressing her tummy against the coolness of the floor, her face down, her long locks spiral out falling to the floor and down her back, she lifts her head to place it against His boot, her moist full berry flavored lips press lightly to His boots, as she kisses His boot lightly in a gesture of love and submission.

BLANKET

To my feet, I said.
Yes, Master, she said. She crept trembling to my feet.
Curl up, I told her.
Yes, Master she said
I then threw the second blanket, the top blanket, over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master, or some free man, lifts the covering away."
~Explorers of Gor, page 94~

~~feeling his heavy cloak being thrown atop her nakid frame...covering her completely she remains perfectly still and quite only hearing the sounds of the FREE talking....thinking she should of kept silent while the FREE talked

TABLE


(NO QUOTE)

~~she kneels before Him , bending her full frame forward, placing her elbows upon His fur's , taking small delicaite hands wrapping her fingers around her forarms, feeling her vgoldenlocks flow down her spine hanging over her sides almost touching the fur's, as she spreads her knees, thighs part naturally, as her back is straight and level, holding her head high in pride of the HOLDS collar, a soft smile curls to rosey full lips knowing she will be pleaseing to him

[adreannaTal{fb}]

*Anklet

"Anklet!" he snapped.
Instantly she turned about, sinuously, and half, lying, half kneeling, extended her left leg, gracefully, toward the older woman, her knee slightly bent, her toes pointed, extending the line of her well-curved calf. There, on her ankle, there was a similar ring."
~Prize of Gor, page 24~

~~she leaned to her right reclining to her side....she extends her long left leg out slightly bent pointing her pretty little toes extending her calve exposeing her left ankle with the ring upon it....


*Capture

"On your back," he said, "knees raised, heels on the floor."
I then lay before him, in a standard, supine capture position."
~Kajira of Gor, page 422~

~~laying on her back before him...she lifts her knees positioning her feet flat of the floor

*Gorean Bow

"He thrust her two wrists, before her body, into the ring he had cut from the Kur.. He then threw her, on her back, over the body, head down, of the fallen Kur. He dragged her wrists, elbows bent, over and above her head; he then, bending her knees, tied one of the loose ends about her left ankle, and the other about her right. It was the Gorean love bow."
~Marauders of Gor, page 261~

~~still kneeling....resting her hands palms up on her thighs, small of her back bowing perfectly, rich golden tresses of hair cascading down her back, tilting her head up proudly, keeping her eyes cast down in respect. a girl leans back touching her head on the floor, arching her back as she places her hands on each side of her head, pressing down pulling her full body up, keeping her thighs spread wide, lifts locking her elbows and knees, perfectly arched embracing the ceileing


*Lesha

"Standard binding position," he said. I was prone. When a girl is prone, the standard binding position is to cross the wrists behind the back and to cross the ankles. I took this position instantaneously.

"Slave Girl of Gor" (page 125)
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Why then had I been bound? I supposed, perhaps, it was for purposes of discipline. Binding is excellent discipline. It is often used on this world for that purpose. Restraints, their psychological indignity and physical discomfort, particularly after a time, placed upon a girl by the will of a master, are among the simplest and most effective instruments of female instruction; they rank with food and the whip; a girl, under disciplinary binding, once released, is invariably eager to please; she does not wish to be rebound; the thongs have well apprised her of her place, which is at her master's feet.

"Slave Girl of Gor" (page 103)


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Bosk of Port Kar tied my wrists behind my back. He then said to me, "Kneel," and I knelt. "Cross your ankles," he said. I did so. Then, with the loose end of the fiber which bound my wrists, he tied my crossed ankles together, fastening them, thus, to my wrists. Some six inches of strap separated my bound wrists and bound ankles.

"Slave Girl of Gor" (page 409)


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"Leasha!" he said. Immediately, responsive to this command, I flung my wrists behind me, separated by some two inches, and lifted my chin, my head turned to the left. I felt slave bracelets flung, snapping shut, on my wrists. I was braceleted. In another moment I was leashed.

"Dancer of Gor" (page 365)


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"Lesha," snapped the second officer to the blond girl.
She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets.

"Explorers of Gor" (page 76)


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Some girls beg to be leashed, sometimes crawling to their masters, their leash held between their small, fine teeth. Most masters use the leash at one time or another. A gorean saying has it that a leashed slave is a hot slave.

Fighting Slave of Gor...page 366



~~rising to her feet swiftly, she places her hands together, palms together, her back arching as her shoulders are pulled back, causing her breasts to push forward her nipples hardened as she knows that the leash will be attached soon. she lifts her head high, tilting it back , her collar shining , she turns her head to the left and closes her eyes, listening for the click of the leash


*Rape

Turn about," he said. "Kneel down. Put your head to the ground, clasp your hands together, behind the back of your neck."
"Yes, Master!" I wept. I hastened to obey. This is a common position for slave rape."
~Dancers of Gor, page 458~

~~she knelt with her head to the furs....clasping her hands behind her neck...and awaited to be raped...

5 MORE WITH QUOTES

Run

She had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, her feet scarcely leaving the ground, back straight, head turned to the left, arms at her sides, palms out at a forty-five degree angle, more of a dancer's motion than a true run."
~Assassins of Gor, page 45~

~~hearing His command she runs towards her objective, taking short rapid steps, her long carmel legs almost straight, her feet hardly leaving the floor, keeping her back in perfect linement, her head tilted to the left, her long midnight sky sprials catching into the wind as she runs to her objective ,keeping her arms to her side, holding her palms outwards in a angle to her body, reaching her objective she drops gracefully her knees melting to the cold wood floors, spreading her thighs sinfully wide,holding her head high tilting her chin to show the steel collar that claims her as a slave of the HOLD, her shoulders reared back, her breasts rise naturally, feeling the long locks spill fourth draping into her face , crystal blue pools cast downwards to the floor, slipping her hands to her thighs her palms facing Him, she awaits His next command.

Slave lips

"A girl who is commanded to make slave lips must form her mouth for kissing. Needless to say, a girl cannot speak when her lips are in the unbroken, fully pursed slave-lips position."
~Blood Brothers of Gor, page 111~

~~hearing Him command her "Slave Lips, Now girl" she turns her head up towards Him, long locks the color of the sun flow down her spine and drape over her shoulder's spilling over her full rounded breasts, she puckers full berry flavored lips in a sensual kissing position, she remains motionless, not moving an inch, until she feels the soft smoothness of His lips press against her's granting her with a Jarl's kiss.

Position of vulnerability

"I sat back, on the grass, leaning back, on the palms of my hands. In this fashion ons hands are rather behind one, and rather held in place, by ones own weight. This position is one we are taught. In it, as is clear to us, we are more vulnerable."
~Witness of Gor, page 61~

~~she sat leaning her weight back on her palms she was most vuneralble to him..for her hands were behind her some....

Prostrate

This is used when waiting permission to enter a room and sometimes, to speak. The kajira kneels touching her forehead to the floor stretching her arms out before her with palms down and fingers spread.
At his entrance Susan put the palms of her hands on the floor and loweredher head to the tiles, assuming a position of slave obeisance common with her in the presence of her master. p. 157, Kajira of Gor

~~halting at the entrance of the Home, she lowers her body , knees melting becoming one with the floor's, she spreads her thighs naturally wide, she bends at her waist, thrusting her body upwards against the floor, her back arching perfectly, her breasts graze the cold floor her nipples respond, as her cheeks flush with redness, she splays her arms before her, crossing her wrists, spreading her fingers wide, tilting her head to the left, the stones kissing her cheek, her long hair , spill out over her shoulders, draping into her face, as jewels of crystal blue cast down under long midnight dark lashes kissing her cheeks tenderly, she whisper's softly ((may isa enter?))

Belly

"On your belly," had said a man. I complied.Too, of course, one does not simply sprawl on one's belly. There are ways, diverse ways, of assuming this position. We are taught them. In this house, such a command, unqualified, requires that the head be turned to the left and the arms be placed down, beside the body, the palms up. A different command requires the crossing of the wrists behind the back and the crossing of the ankles."
~Witness of Gor, p 42~

~~she lowers herself to the floor, turning her face to the left, feeling the coldness of the wood floor kiss her cheek, wrapping her arms around her wasit, crossing her wrist at the small of her back, spreads her thighs gracefully wide, lifting her knees from the ground, she begins to crawl over on her belly towards the Jarl.

[adreannaTal{fb}]

BRACLETS

Kajira stands, head high, wrists behind her back and crossed, ready to receive slave bracelets.
"Bracelets," he snapped.
She put her head in the air and placed her hands behind her back.

"Hunters of Gor" (page 146)


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He had removed a pair of light bracelets, joined by about five inches of light chain, from his pouch. "Slave bracelets," he said. "Turn around, facing the door, your hands behind your back."

Kajira of Gor...pg.132

~~lifting her head high, her fiery azure eyes lowered to the floor...she presses her shoulder blades together, as her lithe arms stretch behind her back, hands clasping and ready to be bonded with the bracelets


CRAWL

I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it.

Book 10...Tribesmen of Gor...pg. 78


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"Go to the couch," I told her," "and curl up there." Yes Master," she said. She then, on her hands and knees, crawled to the foot of the couch.

Book 17... Savages of Gor...pg 13

~~lowers her body to her knees, feeling her knees melt to the stones, as her palms softly touch the cool tiles,lowers her elbows to the stone's placing her palms to her elbows, her back perfectly arched, her hips rise, eyes lowered to the tiles, blonde locks wrap around her frame, as she lowers her forehead to the cold stones keep it only inches from the stone's, she begins to crawl to the Jarl her hips sway sedutively, as her shoulders rise and fall one after the other, her long fgolden spirals glide down her frame, as they graze the stone's she nears theJarl and softly halts, waiting His command

HIGH HARNESS

"Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.... "You need not now keep your head in high-harness position," he said to the girl. She moved her head.

Mercenaries of Gor...pgs 308-309

~~as she kneels before his she cranes her neck high awaiting the leash to be attached to her collar....feeling him attach it she lowers her head once again...keeping eyes to his boots....

LEADING

"Leading position, said Drusus Rencius.
I swiftly put my head down and felt his fingers lock themselves deeply in my hair. I turned my head and pressed my lips suddenly, helplessly, to his thigh, kissing him. He twisted my head cruelly to the side, holding it there, turned, so that my lips could not touch him.

"Kajira of Gor" (page 134)


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The slave was pulled to her feet. She was roughly turned about. The hand of Tenalion's man was then in her hair, fastening itself deeply therein. It was like the closed talon of a bird of prey. She, bound, held, was helpless. She cried out softly, so held, startled, in pain. Then, bent over, her wrists confined in the cruel, encircling binding fiber, that which I had earlier put well on her, holding them so mercilessly, so helplessly, behind her back, her head at his hip, stumbling, weeping, she was conducted swiftly from our presence.

"Mercenaries of Gor" (page 437)


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I then snapped my fingers and held my right hand, open, at my hip. Swiftly the girl rose to her feet and, half crouching, put her head by my hand. I fastened the fingers of my hand deeply and firmly in her red hair. She winced, and kissed at my thigh. I then, the goblet of paga in my left hand, her hair in my right, dragged her beside me, her slender chains rustling, to the nearest alcove.

"Rogue of Gor" (page 597)


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"`Leading position,' he said.
Sobbing, she rose to her feet, and put her head down, at what would be the height of a man's waist, her legs flexed. A guard walked over and fastened his hand in her hair.
`Have her whipped,' said Policrates.
`Yes, Captain,' said the man. He then left the chamber, pulling the girl, sobbing, at his side."

"Rogue of Gor" (page 248)


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"I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me, and, crouching, put her head down, deeply. I fastened my hand in her hair."

"Beasts of Gor" (page 409)


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In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position.

Mercenaries of Gor...pgs 399-400

~~she watches His rise, He calls her to Him, she bends at her waist, her long tresses fall fourth, she wraps her arms around her back, crystal blue diamonds lowered to the ground, as she places the side of her head against His hip, so that the Jarl may lead her by her collar or her hair, which ever He may choose.

SUBMISSION

"Submit!" he boomed at the large, blond girl and, terrified, almost leaping, she lowered her head, thrusting forward her hands, wrists crossed.

"Raiders of Gor" (page 93)



"I can force you to take me," she said.
"How?" I asked.
"Like this," she responded, kneeling before me, lowering her head and lifting her arms, the wrists crossed. She laughed. "Now you must take me with you or slay me."
I cursed her, for she took unfair advantage of the Warrior Codes of Gor. "What is the submission of Talena, the daughter of the Ubar, worth?" I taunted.
"Nothing," she said. "But you must accept it or slay me."

"Tarnsman of Gor" (page 109)



"Step before me naked," said Rask of Treve.
I did so.
We faced one another, not speaking, he with his blade, and in his leather, I with nothing, stripped at his command.
"Submit," he said.
I could not disobey him.
I fell to my knees before him, resting on my heels, extending my arms to him, wrists crossed, as though for binding, my head lowered, between my arms.
I spoke in a clear voice. "I, Miss Elinor Brinton, of New York City, to the Warrior, Rask, of the High City of Treve, herewith submit myself as a slave girl. At his hands I accept my life and my name, declaring myself his to do with as he pleases."

"Captive of Gor" (page 283)



"Submit," he said.
She looked at me, wildly, piteously. I aided her. I showed her how to kneel back on her heels, her arms extended to him, wrists crossed, her head down, between her arms. "Say, 'I submit,'" I said. "I submit," she said. He bound her wrists tightly before her body.

"Slave Girl of Gor" (page 401)



She came and stood before me, and then dropped to her knees, resting back on her heels. She lowered her head and extended her arms, wrists crossed, the submission of the Gorean female.

"Raiders of Gor" (page 92)



He twisted her hair more. She winced, her back bent painfully. "Do you wish me to submit to you now?" she begged. "Do so," said he. She fell to her knees before him, and lifted her head to regard him. "I will be your slave," she said. Then, she knelt back on her heels, lowered her head, and lifted and extended her arms, wrists crossed, as though for binding. She was very beautiful. "I am your slave," she said, "- Master."

"Hunters of Gor" (page 16)


~~striding over to theJarl, her mind focused only on Him, her heart racing in her chest, she closes her eyes and whispers a quick prayer to Odin before she falls gracefully to her knees before Him, she tucks her long legs beneath her and rests her firm ass on her crossed heels, exposing to Him her treasures, she arches her back slightly and pushes her chest up and out, her plump breasts uprise her body trembles slightly as she raises her arms high above her head, her long blonde tresses tumble down her back as her arms are lifted, she closes her eyes and takes in a deep breath as she crosses her wrists, her right one over the left, she lowers her head between her outstretched arms in supplication, she waits silently her chest rising and falling with her deep breaths as her body trembles

SLAVERS KISS

Then, before I could realize what he intended, he had subjected Miss Cardwell to what, among slavers, is known as the Whip Caress. Ideally it is done, as Kamchak had, unexpectedly, taking the girl unawares. Elizabeth suddenly cried out throwing her head to one side. I observed to my amazement the sudden, involuntary, uncontrollable response to the touch. The Whip Caress is commonly used among Slavers to force a girl to betray herself.

Nomads of Gor...pg 168


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Her movements were wooden. The crowd was not pleased. There was only a two gold piece bid. Then taking the whip from the whip slave the auctioneer stepped to the disconsolate girl; suddenly, without warning, he administered to her the Slaver's caress, the whip caress, and her response was utterly, uncontrollably, wild, helpless. She regarded him in horror. The crowd howled with delight.

Assassin of Gor...pg 294

~~she falls to the floor upon all fours, she keeps her head straight, long beautiful spirals of gold fan out across her back and dangle down at her sides, her eyes looking forward, long midnight lashes curl up careressing her perfectly arched deepest blonde eyebrows, as she thrust her buttocks upwards, spreading her thighs sinfully wide in preparation for the sexual use of the Master.

KNEEL TO THE COFFLE

"Kneel to be coffled" said one of the men. The girl knelt, closely, one behind the other, there were six wrist rings on the chain he carried. He placed the girl who had been whipped by Lady Sabina first in the coffle line. "Left wrist coffle" he said. They lifted their left wrist, frightened. Interestingly, the man snapping the wrist rings on the girl's left wrist did not put the first girl first rind, but second. When the four maids were coffled there was, thus, an empty wrist ring both ends at the head and rear of the line."Stand, slaves."said the man. "Lower chain."The girls stood. Then, ordered, they lowered their wrists. They were in line, standing, coffled.

Slave Girl of Gor..Page 127


~~ she kneels, thighs parted widely,setting up upon her heels and lifts her left wrist outwards, so that the wrist can be attached to the wrist ring with in the coffle chain.


NESTLE

"Nestle" I told her. "Yes Master," she said. She nestles obediently in the crook of my left arm.

Explorers of Gor..Page 279

~~settleing to his left side...she leans back against her Jarls hip, snuggling into the crook of His arm.

WALK

I can walk with my head down, as a slave, said Tarna.
Most female slaves, said Hassan, walk very proudly. They are proud of their slavery, and their mastery by men."
Tribesmen of Gor, Page 332-333

~~she turns in a graceful pirouette, sending her golden locks to swing about hips, kissing the flesh of delicate hips, as she begins to walk gliding across the room, her feet hardly seem to leave the floor as she walks with such grace, her hips swaying senually, her body erect and proud, as she reaches her objective she softly halts, stands, her body erect, arching her shoulders back, thrusting her chest forwars, her belly in, she turns her hip out just a tad, her long slender silky smooth arms down at her sides, pointing her foot outwards, holding her head up high showing pride in the collar that encircles her throat, baring the HOLD"S name, lowers jewels downwards under deep dark curly lashes, as she keeps her position remains motionless and quiet, awaiting His next command.

STAKE

When chained at a stake the with this command the slave lies down and is not permitted to rise even to her knees.
Book 24: Vagabonds of Gor, page 386

~~she lays her full frame to the ground and lays completly still nay riseing even to her knees....

[adreannaTal{fb}]

Gorean Symbolism

While Gor seems full of useless things, like kneeling a certain way or serving a specific way, it all has it meaning. Each of these items is a specific symbol and therefore a specific meaning and reason why they are done. Though many seem unimportant, when you understand what each means, they become very important and should never be forgotten or taken lightly.



We are here for very specific reasons. We are here to train for real life, to learn about Gor and it's Ways; to share and grow amongst ourselves in the Ways of Gor, amongst good and like-minded friends. Yes, some are here for other reasons, to find a Master, or a slave, or to simply experience Gor. Some are here simply for the possibility of sex. If sex is a priority for you, then you are missing the reason for Gor. Gor is NOT about sex. Everyone has his or her own reasons for coming to Gor, but consider this: being in Gor effectively, takes a great deal of one's time and energy. So make it *worth* your time and energy. Gor is full of ritual and symbolism. This page is intended to address some of the meaning(s) attached to Gorean practice. It is by no means an exhaustive listing, but will provide some insights into the depth of meanings found in Gor.



Kneeling

As with so many other aspects of Gor, even the kneeling of the kajira before the Master has meaning and significance. It is customary for a kneeling kajira to kneel a few feet back from the Master. The kneeling itself expresses the kajira's servitude and submission. It acts as a physical reminder to herself, as well as the Free, of her slavery and her desire to be used as a slave. The distance serves four primary purposes; 1) Symbolizes in both distance and height differential, the social difference between the Master and slave 2) Puts the slave where the Master can view her fully, for a kneeling woman is an incredibly beautiful woman. 3) Puts enough space between the Master and the slave so that the releasing of his rapacity is more likely to require a conscious decision, rather than a reflexive reaction. 4) Gives the kajira room to maneuver into commanded positions



Positioning of the Hands

Palms upward, or facing outwards, is indicative of submission, vulnerability, and surrender to the Master. Fingers spread wide apart is further indication of both vulnerability to the Master, and desire for him.



Eyes Downcast

Proper decorum and submission calls for the eyes to be downcast unless the head is positioned to indicate otherwise, or the Master has commanded otherwise. This is an on-line Gorean convention, in the books it is common for kajira to gaze upon the Master's eyes unless the kajira is in trouble and seeking to demonstrate fully her submission. Normally, eye contact between a Master and a slave is acceptable and common, but it can be denied or forbidden to the slave as a punishment or discipline.



Belly-Crawling

Crawling on the belly is used for very specific reasons. The first of which is to placate a Master, if the Master is upset or the kajira has made a serious mistake. The second is to communicate need for the Master, the need to demonstrate submission and/or the need to communicate a sexual desire, depending on how it is done. And last, crawling is used in the performance of certain forms of obedience. Other than that, do not crawl about. A Gorean kajira is supposed to be proud, believe it or not. The kajira should be proud of her skill and talent, her capacity for love and devotion. Not of herself, but rather of the things she can bring to her Master, for her Master is her focus.



Hand feeding and gifts.

In some parts of Gor, the hand-feeding of a kajira is the ritual of taking ownership of that kajira. By feeding from the Master's hand, he has offered to sustain and care for the kajira, by eating from the Master's hand, the kajira has accepted this. This is primarily a Tuchuk custom. Gifts will sometimes be given to a kajira. A kajira may not own anything of their own, it is they who are owned, by the Master. Thus, if a kajira is given a gift, that gift is actually being given to the Master, who may or may not choose to allow the kajira to hold it for him. Understand this distinction clearly. In most cases, you are not permitted to make the decision to accept a gift, that is your Master's decision.



Ways to Communicate Need to a Master

Gor is rich with metaphor and symbology and ritual, some of which may be utilized as shown below to tell a Master of your sexual needs, without being unduly blatant about it. 1) Flowers in the hair, or given to him 2) Tie a loose knot in the hair on the right side, let it hang over the cheek 3) Kneeling nadu, (as the pleasure slave) 4) Body touching 5) Palms up, facing him 6) Offer fruit, holding it next to her body 7) Belly crawling, with the rear up thrusting 8) A verbal method that can be used is to bring the wine, serve it, then beg him to take the Second Wine (herself). 9) And last, below is the ritual formula of a slave in need, it is appropriate in accordance with the books themselves, and will certainly be appropriate in on-line Gor. Ritual formula of a slave in need - "I acknowledge unequivocally and without reservation that I have sexual needs. Similarly, I inform you that I want them satisfied. I beg you, Master, to satisfy them."



The 'Tease and Please' Rule

If a kajira offers a Free Person wholly of herself, she will be required to give what she has offered, if the Free Person chooses to accept it. There are no exceptions to this, a kajira is not to be permitted to tease like so many of Earth do, with no intention of fulfilling the promise of the tease. To do so is not only an insult to the Free Person, but shows a lack of integrity and dishonor within the kajira. If a kajira teases, the kajira will please, exceptions sometimes made for dancers. Understand that kneeling nadu is to kneel in the position of the Gorean Pleasure Slave. The Gorean Pleasure Slave exists to serve the Master, and it is implicit in the nadu that her full sexual service is at his disposal. If you kneel in nadu, you are offering that to the Master, you had better be able to fulfill that promise. Hiding behind restrictions or a collar is absolutely no excuse.

[adreannaTal{fb}]

As with the positions, there are a standard list of Gorean Commands that a slave must know how to obey. Below I will list each command, give a description of how a slave should respond to each command, and explain how it might be used.

Blanket:

when a blanket or cloak or covering of any sort is thrown over a slave girl she may not speak or rise; she must remain silent until the blanket is lifted by a free person

"Yes, she whispered. Yes what? I said. Yes, Master, she said. Master! she protested, but I lifted the dark blanket and threw it over her head, so that was completely covered. She could not then speak, or rise up, for the blanket was over her." Explorers of Gor Chapter 14.

Bound By The Master's Will:

refers to a slave being commanded to hold position, as though bound, hands clasping opposite wrists until she is released.

“Your hands are now bound behind your back, he said. Yes, Master, I said. I must now keep my hands or wrists in contact with one another, and behind my back. I was now 'bound by the master’s will.' I could not separate my hands or wrists from one another now without permission." Dancer of Gor Chapter 13.

Display:

Stand with feet shoulder-width apart with head held up and eyes lowered and intertwine fingers behind the neck.

"The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited." Explorers of Gor Page 36.

Hair:

The slave should start off in a standing position then bow forward gracefully at the waist so that the hair tumbles forward to be seized or for any other reason the Master or Mistress wishes.

"I then snapped my fingers and held my right hand, open, at my hip. Swiftly the girl rose to her feet and, half crouching, put her head by my hand. I fastened the fingers of my hand deeply and firmly in her red hair. She winced, and kissed at my thigh. I then, the goblet of paga in my left hand, her hair in my right, dragged her beside me, her slender chains rustling, to the nearest alcove." Rogue of Gor Page 587.

Har-Ta:

faster!

"I shouted to my tarn, in Gorean and in English. 'Har-ta! Har-ta! Faster! Faster!'" Tarnsman of Gor Chapter 4

Heel:

The slave should walk to the Master or Mistress and stand about a pace behind them. Unless specifically told otherwise or unless you know that the Free is left or right-handed always heel on the left. If you know the Free is left-handed heel to the right.

"The girl normally heels a right-handed Master on the left, that she not encumber the movements of the weapon hand." Magicians of Gor Page 117.

Nestle:

slave should press against the Free persons side and rest their head in the crook of the Master or Mistress arm.

"Nestle, I told her. Yes, Master, she said. She nestled obediently in the crook of my left arm." Explorers of Gor Page 279.

Run:

The slave runs across the floor in short steps and keeping the legs straight and unbending. Feet should stay very close to the floor while the slave is running. As s/he moves back should be straight and arms at the sides with palms facing outward in a 45 degree angle.

"I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, her feet scarcely leaving the ground, back straight, head turned to the left, arms at her sides, palms out at a forty-five degree angle, more of a dancer's motion than a true run." Assassin of Gor Page 45.

Slave Rape:

the sexual use of a slave girl; may be either tender or brutal, casual, deliberate or disciplinary.

"I went to the side of the room and picked up my sea bag. I threw it to the center of the room. She looked down at it puzzled. It was of heavy blue material, canvas, and tied with a white rope. "Lie down upon it," I told her, "on your back, your head to the floor." She did so. "No, please," she said, "not like this." It is a common position for a disciplinary slave rape. In it the woman feels very vulnerable, very helpless. I then took her." Explorers of Gor Page 202.

Stake Position:

When chained at a stake with this command, the slave lies down and is not permitted to rise even to her knees.

“Stake position, said Ephialtes to the two women. Immediately they both lay down, with a sound of chain. It is not unusual to forbid a rent slave, during her use times, when chained at a stake, to rise even to her knees." Vagabonds of Gor Page 233

Walk:

The slave should turn gracefully and walk across the floor, his/her feet hardly leaving the floor, body erect and proud. When you reach the person/place/thing you were commanded to walk to ..stop with body still erect..head held high and eyes lowered. Turn your hip slightly with hands by your sides as you point a foot outwards.

"most female slaves, said Hassan, walk very proudly. They are proud of their slavery, and their mastery by men. They have learned their womanhood. It has been taught to them. In their way, though imbonded, totallythey are the truest and freest of woman." Tribesmen of Gor Page 332.